....With the MFA, I had earned a black belt in creativity, was expert at conceptual acrobatics, aesthetic creation and conceptual deconstruction so why was I a security guard at the art museum? I had gone all the way, in a sense I had bought the tux and it seemed the party was over. I was all dressed up and there was no where to go. The identification of the issue in this book starts with that experience. The question that this book attempts to define and solve is “Why are artists starving?”

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